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3 tips for writing narrative non-fiction books for kids

3 tips for writing narrative non-fiction books for kids

Narrative non-fiction for young readers is having a moment in the spotlight, combining facts, illustrations and storytelling in an irresistible short-form package.

But, as anyone who’s ever tried writing narrative non-fiction will tell you, getting the balance right between the information and the story is not always easy.

Bronwyn Saunders writing narrative non fictionWith her debut picture book Diprotodon: A Megafauna Journey out now, Bronwyn Saunders has popped in to share her experience with distilling a dinosaur-sized pile of research into a compelling story. The picture book is illustrated by Andrew Plant and published by CSIRO Publishing.

A children’s author and passionate citizen scientist who delights in sharing facts about Australia’s natural history with readers, Bronwyn has three top tips to help you if you’re thinking of following in her footsteps.

 

Bronwyn Saunders’ three tips for writing narrative non-fiction for kids

Diprotodon: a megafauna journey by Bronwyn SaundersNarrative non-fiction is weaving a story around factual information for the purpose of being informative and entertaining. The choice of producing non-fiction is a promise to the reader that the facts you are sharing are correct.

Writing non-fiction is addictive because the truth can be more outrageous and unbelievable than fiction. Diprotodon: A Megafauna Journey is a great example of outrageous facts.

Who knew Australia was once home to a marsupial that weighed up to 2,700 kilograms?

This is one of the facts about diprotodon that is thoroughly ridiculous and endearing at the same time.

I love astounding children with these unique facts, and there’s no doubt the facts compel you to share widely – but crafting a story with those facts is more than just stating (or listing) what you know.

 

Non-fiction ideas can creep up on you

My non-fiction topic found me whilst I was on holiday in Naracoorte, sparked by a statue, several facts from the tour guide and a tall tale.

The tall tale was exposed quickly, but by then I didn’t care that diprotodon wasn’t carnivorous, as the animal had already made a home in my heart.

I read everything I could find, which wasn’t much.

Then I dug a little deeper, reading scientific articles and research. Due to my research, I can verify that Latin is not such a dead language. The more I learnt, the more I had to know. I can proudly say I have read the majority of material ever written about diprotodon.

 

Managing your research

You don’t need archival qualifications to research a non-fiction topic but you do need an information management system.

No, you don’t need to buy it from Amazon or download an app onto your phone. It can be simple as recording and cataloguing source information, in a document, in a table or on a piece of paper.

Keeping the reference material in a single place is key. Collating all the references so they are retrievable when required is the aim. The style of reference that you use to keep the reference is not important, but consistency will help.

Remember, you are not composing a paper for university and do not need to use citations but your references do need to be accurate.

Correct referencing allows the writer to locate a source to double-check the source, interpretation or intended purpose with ease.

Correct referencing also makes it easier for the editor to review the evidence that is being relied upon so they can reassure the publisher of the accuracy of the text.

 

What details do you need?

The details depend on the type of source.

This could mean:

•a web address;

•author, title and page reference;

•or author, article title, journal name, volume and year of publication.

Try to capture every necessary detail that will enable you to easily find the source again, for example chapter names, article numbers, edition, volume and year of publication.

When I find a great source,I have been known to photocopy the page with all origin details, just to be certain, as well as allow verification that the source is what I want to rely on. It then goes into a hard copy folder between its own dividers, which are titled with how I intend to refer to it.

When I compile notes from the source, I use the basic reference data at the start of the notes and add it to the folder after the source material.

Diprotodon: A Megafauna Journey found a publisher five years after writing it. Experiencing the publishing process has helped me appreciate the need to give myself better clues of where within articles that I sourced information.

Your editor will appreciate your accuracy, too.

 

But what about the story?

Narrative non-fiction is not just listing facts. The facts must be used to tell a interesting story based on factual information.

The author has to take the black and white and fill the page with seamless colour.

Depending on the timeframe and the topic, knowing about the weather, the natural environment, buildings, technology, vocabulary, relevant culture and fashions are vital to capture the spirit of the story. In an historical movie or TV show there’s nothing worse than seeing an out-of-
place timepiece on the wrist of the lead actor, or for a car enthusiast seeing a classic car that was produced after the year when the production was set – and it’s the same for books.

For my story, it was important to listen to my palaeontologist advisor when he questioned my earlier use of insects to show Diprotodon toward
food. ‘Why would such a large animal pay any attention to what an insect is doing?’, he asked.

I had to be flexible with my manuscript and review what animal was available to use to guide Diprotodon to safety, which meant a return to research and drafting for the credibility of the story.

 

My top three tips for writing narrative non-fiction for children

1. Love your topic, you are going to immerse yourself in it.

2. Be methodical with your research, you may have to refer to it after many years have passed
or provide it to another person.

3. The facts need to be woven into a compelling story, the facts themselves are insufficient.

You can find out more about Bronwyn Saunders here, and watch the video below to find out more about Diprotodon: A Megafauna Journey – or visit CSIRO Publishing here to purchase.

 


Diprotodon Trailer from CSIRO Publishing on Vimeo.


A. L. Tait The First Summer of Callie McGeeAre you new here? Welcome to my blog! I’m Allison Tait, aka A.L. Tait, and I’m the author of middle-grade series, The Mapmaker Chronicles, The Ateban Cipher, and the Maven & Reeve Mysteries. My latest novel THE FIRST SUMMER OF CALLIE McGEE is out now. You can find out more about me here, and more about my books here.

If you’re looking for book recommendations for young readers, join the Your Kid’s Next Read Facebook community, and tune in to the Your Kid’s Next Read podcast!

What I learned from indie publishing my middle-grade novel

What I learned from indie publishing my middle-grade novel

One of the many lovely things about Write With Allison Tait is the mix of writers who have joined my online writing group. We have children’s authors, YA authors, authors writing for adults, not yet published, traditionally published, indie published, novelists and non-fic authors.

It creates a brilliant melting pot of experiences and questions, and reflects my philosophy that, no matter what you’re writing, you will learn something new from every writer.

One of the great maxims of writing is to ‘read widely’. I think that ‘talking writing widely’ is just as important.

One such member of the group is Wendy Adams, who indie published her middle-grade novel Call The Wild Sea earlier this year.

There’s no doubt that indie (independent) publishing is on the rise and can be incredibly lucrative, particularly in genres such as romance and crime fiction, where readers have voracious appetites.

But with middle-grade fiction, the young reader is another step removed from the process. The author is relying on reaching the adults in that young readers life first, and then the young reader second.

All of which brings its own set of challenges.

With that in mind, I asked Wendy to share her experiences of indie publishing her middle-grade novel – and some tips for any other writers considering doing the same.

 

Reinventing the dream: What I learned from indie publishing my middle-grade novel

By Wendy Adams

Indie publish a children's novelTo publish or not to publish? In 2022, after years of rejections and a few ‘almosts’ that kept me believing, I realised it was crunch time. Would I leave my stories to hide, unread in my document folder, or take a giant leap out of my comfort zone and become an independent author?

You know the old saying, when the pupil is ready, the teacher will appear? Well, that’s exactly what happened. In the form of Pickawoowoo, a company that supports and assists independent authors.

On a whim, I rang them and found them so helpful and encouraging that I immediately signed up and the journey began.

After several edits, cold feet, impostor syndrome and terrified ‘what am I doing?’ questions, Call The Wild Sea was a book and I was a published author. And my childhood dream became a reality.

Tip #1: Find the help you need. The most crucial step I took as a first-time indie author was getting expert support and guidance in navigating the intricate processes of independent publishing. 

 

The benefits and the challenges of being an independent author

The benefits of being an independent author are many. I have control over every aspect of my publishing journey.

I decide when I’ll be published, not if. I make the dream a reality.

But of course, there are challenges too. The costs involved are significant and the learning curve is gigantic.

A traditionally published author has a team of supporters, so it’s imperative that the independent author has one too. Finding that team, if it doesn’t already exist, can be difficult.

The biggest challenge, though, of being an independent middle-grade author is marketing. It’s difficult to find your readers and keep them without the advertising power of a traditional publishing house. Who do I market to—teachers, parents, librarians? What about the newsletter? Who would most likely be interested in what I have to say?

Tip #2: The number one lesson I’ve learned about marketing since my book was published is that it’s a multi-faceted beast. I’ve explored various strategies, such as running Facebook ads, optimising my Amazon author page, engaging with reviews, conducting school visits, and maintaining a strong presence on social media, blogs, and newsletters. However, the true challenge lies in continuously discovering new and fresh ways to promote my work. 

 

Making the most of the middle-grade space

As I’ve learned, however, there are some unique marketing strategies available to middle-grade authors.

I created Teacher’s Notes to help promote my novel, making it more attractive as a class novel. The Australian Curriculum is available online and has suggestions for relevant learning sequences for middle-grade students. Also, looking at what other middle-grade authors have done will help you create your own teacher’s notes. (Tips for creating Teachers’ Notes here.)

Likewise, school visits provide a unique opportunity for children’s authors to foster community ties and encourage literacy among students. Ultimately, if you are an independent middle-grade author, you must put your fear aside and accept opportunities to engage with schools.

(I’m speaking to myself here because, despite being a teacher for many years, the thought of going into a school and presenting a workshop makes me unbelievably nervous. Despite that, I’m doing it!)

Tip #3: Make the most of the marketing opportunities that exist in the children’s publishing space. Aside from the above mentioned, don’t forget the basics such as asking local bookshops to stock your book, setting up a stall at local markets, and asking friends to post about the book on social media if they like it. 

 

Learning every step of the way

Now that my first book is out there, I’m working hard to produce my second – and I’ve changed some of my processes

For instance, In my eagerness to perfect the manuscript for Call The Wild Sea, I made the mistake of making changes after a professional editor had already proofread my work. This led to a cycle of fear and imposter syndrome, constantly second-guessing myself and introducing new errors in the process.

For my upcoming book, I’ve learned my lesson and will ensure that the professional editor is the very last person to review my work, allowing for a smoother and more streamlined editing process.

So, if, like me, you’ve struggled with countless rejections, think about reinventing the dream by becoming an independent author. The learning curve is steep, but the rewards are invaluable – your work is out there, you will have ultimate control and you might make some money too.

And the clincher? For writers like me who can create thousands of words for a novel but can’t write a riveting summary, you may never have to ‘pitch’ again. Now, that makes it all worthwhile!

Wendy Adams is the author of Call The Wild Sea, a fantasy adventure novel for middle-grade readers. Her next novel Paisley Partridge and the Case of the Disappearing Little Penguins will be published in early 2024. Find out more

 


writing group Allison TaitAre you new here? Welcome to my blog! I’m Allison Tait and you can find out more about me here and more about my online writing courses here.

For full details about Write With Allison Tait, my new online writing community offering Inspiration, Motivation, Information and Connection, go here

 

Want to be a children’s author? Here’s what you need to know

Want to be a children’s author? Here’s what you need to know

So you want to be a children’s author?

Before I became a children’s author, I think, like most people, I thought it was just a matter of writing a children’s book.

Write a great book and, voila!, you’re a children’s author.

And it’s true. But also not true.

 

You don’t know what you don’t know

I think back on myself in those months before Race To The End Of The World came out and I blush for 2014 Allison.

I. Knew. Nothing.

And so I learnt how to be a children’s author the hard way. Because, you know what? It’s not easy.

I’ve been lucky, though.

First, I’ve had the benefit of learning from my immediate experience in publishing eight books and the generosity of my circle of children’s author friends.

But, through seven years’ hard work on So You Want To Be A Writer podcast, four years of running the Your Kid’s Next Read community AND nearly a year of creating the Your Kid’s Next Read podcast, I’ve been drowning immersed in the children’s publishing industry.

This year, I’m looking at new ways to share what I know and I’m thrilled to be launching a practical video presentation for aspiring and early career children’s authors.

 

7 things you must know to be a children’s author

Created with award-winning, bestselling author Sue Whiting, the one-hour video presentation is called ‘7 things children’s authors must know’ and is full of the kind of practical knowledge, insider tips and useful information that are usually hard-won through experience.

Plus, there’s a downloadable cheatsheet to help keep you on track.

All for $14.99 (AUD)

You can find out more about the course and buy it here. 

Sue and I hope you love it!

And stand by for further announcements about Creative Coaching Sessions or my brand-new online Write With Allison Tait community, both coming soon! Sign up for my newsletter for an exclusive launch discount.

 

Allison Tait how to be a children's authorAre you new here? Welcome to my blog! I’m Allison Tait, aka A.L. Tait, and I’m the author of middle-grade series, The Mapmaker Chronicles, The Ateban Cipher, and the Maven & Reeve Mysteries.

You can find out more about me here, and more about my books here.

 

On being a children’s author, creativity and change

On being a children’s author, creativity and change

Creativity and change. The two things go hand in hand…

In case you missed it, I am no longer co-hosting the So You Want To Be A Writer podcast.

Call it a seven-year itch, if you like, but after 462 episodes the love had gone out of my labour of love, and so I had to break the news to the wonderful Valerie Khoo that I was calling it a day.

I am so proud of what Val and I created together, the help, support and advice we have given aspiring and emerging writers over the years, and the space we made each week for authors to share their thoughts and promote their work.

Val continues to host the podcast solo, so I’m pleased to say that it remains as a go-to for writing and publishing insights. It’s hard to let go when you’ve spent so much time building something so brilliant, but these are the decisions we have to make as creative people and I am looking forward to using that time for other projects.

I’m also coming up with some new ways for you to access all of my writing and publishing knowledge, advice and experience, so stay tuned!

The Your Kid’s Next Read podcast continues to go from strength to strength and I am thrilled to focus on that at present.

Which doesn’t mean I haven’t been out and about chatting about writing in other places…

 

On being a children’s author

Allison Tait writing quoteIrma Gold corralled me on a very honest day for this interview for Secrets From The Green Room, the podcast she co-hosts with Craig Cormick.

We had a very frank discussion about my writing and publishing journey, structural edits, my worst rejection ever and why being a children’s author is like being on the kids’ table at the wedding.

You can listen to the episode here.

 

 

 

 

Creativity and change

Allison Tait Andrew Daddo interviewAs I said at the top of this post, creativity and change go hand in hand. In face, one of the things you need to learn to embrace in a creative life is change – not always easy.

It’s a lesson we’ve all learnt in spades over the past few years, so I welcomed the opportunity to have an in-depth chat about it with author Andrew Daddo for Dani Vee’s Words and Nerds Podcast.

As someone who’s made a living from the ebbs, flows and currents of different forms of creativity across his entire career, Andrew is well positioned to offer some excellent tips about staying afloat.

We talked about rips, writing and being a Daddo, and it was just a chaotic and enjoyable experience. Much like a creative life, I guess.

You can hear it here.

 

 

One thing I’ve realised over the past few years is just how much I like podcasting, so I’m hoping I’ll be able to do more guest spots, both as interviewer and interviewee. I’ll keep you posted!

 

Allison Tait podcastAre you new here? Welcome to my blog! I’m Allison Tait and you can find out more about me here and more about my online writing courses here.

Subscribe to my newsletter for updates, insights and more amazing writing advice.

Or check out So You Want To Be A Writer (the book), where my co-author Valerie Khoo and I have distilled the best tips from hundreds of author and industry expert interviews. Find out more and buy it here.

The one thing I wish I’d known when I started: 16 children’s and YA authors reveal all

The one thing I wish I’d known when I started: 16 children’s and YA authors reveal all

“What’s the one thing you wish you’d known when you started out as an author?”

It’s a big question, and one I’ve been toying with over the past week.

The problem is, there are just SO many things I wish I’d known. Narrowing it down to one seems impossible.

So I decided to get some help to articulate my thoughts, and rounded up some of Australia’s best and most popular children’s and YA authors to answer that question for me. To create a kind of encyclopaedia of super tips for beginner writers.

And I’m so glad I did, because this post contains some of the most insightful advice that any aspiring or beginner author, of any type or genre, could ever ask for. I wish I’d known every single one of these things when I started out.

Mostly, though, I just wish I’d known how very much I didn’t know.

 

16 Australian children’s and YA authors share the one thing they wish they’d known when they started 

 

 

Jackie French

Jackie French children's author tips“What I wish I’d known when I began? Everything!

I found a publisher under ‘P’ for publishers in the phone book – the first one was Angus and Robertson, who I still publish with. My manuscript was so badly spelled  and on a machine lacking a working ‘e’ that they pulled it out to laugh at. I didn’t even know what genre I was working in.

These days I dutifully tell beginning authors to research their genre; to see what kind of manuscript a publisher is looking for, and  to use their spell checker, then check their spell checker hasn’t changed their ‘camels’ into ‘condoms.’

But you know what? None of that matters in the long run. If your writing is compelling and saleable it will be accepted.  If it so good that the reader HAS to turn the next page, the publisher will probably refer you to another company if they don’t publish your genre. Editors are editors because they love books, and will go to extraordinary lengths to help a writer of brilliant promise.

You are a writer. Write. Write well, and then rewrite, rewrite and rewrite. Don’t write what you think publishers want, as thousands of others will be writing the same. Write the story that has its teeth in your throat and won’t let go till it is words on the page.

PS. If the editor says ‘that bit doesn’t work’ believe them. An editor may not know exactly how to fix the problem, but if it doesn’t work for them, it won’t for the public either. Never think that because you are ‘the writer’ that the book is yours. The words are yours, but the book is created by an editorial team, the marketing team, the design team, the proofreaders and many others. I always feel guilty that only my name is on the title page, and feel forever blessed that my words are taken by the team to work on.”

Jackie French is the author of ‘around 300’ books for children, YA and adults. Her latest releases are Christmas Always Comes (PB, ill. Bruce Whatley) and No Hearts of Gold (adult fiction). Find out more about Jackie here

 
 

 

Jack Heath

Jack Heath children's author tips“There’s a lot I wish I’d known when I started my career as a (very) young writer, but the main thing is this: “no-one cares what you think.”

I wasted a lot of time blogging, making Youtube videos and tweeting. It was important to me that my views on every topic – politics, science, the environment, life – were public knowledge.

I saw myself as a social commentator – but I realise now that I was a novelist.

People didn’t like me, they liked my novels. I should have spent my time working on my books, rather than play-acting as a celebrity.

In a broader sense, I should have focused on writing, rather than being a writer.”

Jack Heath is the author of 37 books for children and adults. His latest release for children is Kid President Totally Rules!. Find out more about Jack here.

 

 

Pip Harry

Pip Harry children's author tips“As an emerging writer, I thought that when I cracked an elusive publishing deal, all the rejections (so many rejections) would be behind me. That shiny debut novel would be my golden ticket to open doors and yesses. To festival invites, prestigious fellowships and award ceremonies. My ‘thanks but no thanks days’ would be a thing of the past. Surely?

But even as I snagged that exciting first book deal and built a career as a YA and middle -grade author, the set-backs, knock backs and failures stuck around.

Hello, rejection, my old friend.

Even as I put the finishing touches on my seventh children’s book, I’m still getting brutal (sometimes baffling) ‘not right for our list’ emails from all corners of the globe. Sometimes they sting a little, but I usually bin them and move on quicker than I would’ve ever believed possible as a younger, more fragile writer.

Instead of crying into a tub of cookies ‘n’ cream and shredding my latest manuscript when I miss out, I accept that all art is subjective. Some people will love my work, others not so much. C’est la vie. Better to be brave, take chances and back yourself and your ideas, than believe the naysayers and critics.

To be a successful author, long term, you have to reinvent yourself often, try new things and be ready for the disappointments when they come – and oh boy, they will. Have a few writing pals on hand to commiserate when you don’t hit the bullseye. But know, in your heart, the stories you’re telling are important, sometimes vital, and they will find an audience.”

Pip Harry is the author of seven children’s and YA novels. Her latest release is Are you there, Buddha? for middle-grade readers. Find out more about Pip here.

 

 

Gary Lonesborough

Gary Lonesborough author tips“The one thing I wish I’d known before I started was how long publishing takes and that I would need to read my book over and over and over again.

It was a year and a few months from signing the contract to the book being published and it was really hard to predict what my life would look like by the time the book came out. I didn’t know where I would be living, what I would be doing, what job I would have.

Having to read the story over and over was interesting, as I would find myself excited to learn new things and come up with new ideas while, at the same time, really just wanting to get to the end.

By the time we had finished editing, I was ready to never read the book again.”

Gary Lonesborough’s debut YA novel The Boy From The Mish was released in February 2021. Find out more about Gary here

 

 

 

Nat Amoore

Nat Amoore children's author tips“I wish I’d known the weird tightrope I would end up walking between taking advice and forging my own path. I did all the ‘things’ – taking courses, attending festivals, talking to people in the industry, reading the books, listening to the podcasts – but when I actually found myself ‘in’ the industry, I realised I had to pull a Frank Sinatra and do it my way.

I’m not saying don’t listen to the advice. But listen and be ready to set it aside if it doesn’t line up with who you want to be as a creator.

I discovered that some advice I’d heard over and over during the proceeding years, didn’t gel with how I wanted to exist in the kids book world. And that’s because many different creators have a completely different focuses.

So know what your focus is, keep that focus, and make your own decisions based around that. And sometimes that takes bravery. So be brave. Nobody owns your career or your art but you.”

Nat Amoore is the author of three middle-grade novels. Her latest release is The Right Way To Rock. Find out more about Nat here.

 

 

 

Jenna Guillaume

Jenna Guillaume children's author tips“The one thing I wish I’d known when I started writing is that it doesn’t get any easier. Sorry if that’s terrible news! But you don’t magically get more time or energy or ideas or confidence once you’re published.

If anything, you have less time, less energy, more self doubt… Maybe that’s just me and my brain?

But what I’ve learned is that I still need to make the time and create a space for myself to write, and to prioritise the writing and enjoying the process over the “business” side of things. It’s easier said than done, but so important and ultimately what is most satisfying.”

Jenna Guillaume is the author of two YA novels and a novella. Her latest release is The Deep End, an Australia Reads special-edition novella. Find out more about Jenna here.

 

 

 

 

Will Kostakis

Will Kostakis children's author tips“After signing to my first publisher, I was given a stack of books to read and told to come back with a sense of which author I wanted to be like.

I chose one author I admired, they nudged me towards another.

As a grateful 17-year-old, I was like, “Sure!” And the editorial process was who I wanted to be wrestling with who they wanted me to be. The book suffered.

After it failed to set the world ablaze, I worked on my craft and found a publisher who believed in my vision of who I could be, and supported that. The result was a novel that better reflected me. But it was a reintroduction, it came after a five-year hiatus and the publisher nudged me towards changing my name (William Kostakis became Will Kostakis)…

I know all the talk of personal branding is dehumanising (we’re people, not products!) but there’s a reason for it. I know we all like to pretend we like to be challenged, stimulated and surprised as consumers, but deep down, we really don’t. We like the taste of Coke as it is. We like movies that reheat familiar beats.

When you have a favourite author, you know what you expect from them. If you pick up their latest book and it isn’t what you expect, you’re a little annoyed. I had plenty of those experiences as a reader, but as a writer, even though I was perceived as the author I always wanted to be, I felt stifled by what a Will Kostakis novel was.

So I kept the broad strokes and added the fantastical. While I refined my craft and added to my toolkit, and found new readers … those who entered a bookstore for the new Will Kostakis novel they expected were let down. I hadn’t built strong enough foundations to experiment.

All this is a long-winded way of saying: Ask yourself who you want to be. What kinds of books do you write? What themes do you explore? That first book of yours needs to capture that, and the next few need to echo it.

Find your niche, but build a strong foundation before you really experiment, because in today’s industry, we’re building houses of cards. Considering how long it takes to write and release books, rebuilding can take years.”

Will Kostakis is the author of six YA novels. His latest novel is Rebel Gods, book #2 in the Monuments series. Find out more about Will here.

 

 

 

Alexa Moses

Alexa Moses children's author tipsI wish I’d known that publication wouldn’t be the meat that would sustain me. Of course publication is a necessary first step in a career, but it’s not the panacea I’d  imagined. The real nourishment comes from the work itself.

One of the hardest parts of being a writer, for me, is the week after I finish a manuscript. Off the email shoots, and the characters and world that have occupied me for months vanish.

I should be celebrating but that’s when I fall into a slump.

I drift around the house letting cups of coffee go cold. I lie on the rug beside the dog, certain I’ll never write anything good again. I’d thought being a ‘published’ author would fill that hole but it doesn’t. I’m not myself again until I catch a new story.”

Alexa Moses is the author of six books for children, from picture books to middle grade. Her latest middle-grade novel is Michaela Mason’s Big List of Camp Worries. Find out more about Alexa here.

 

 

 

Inda Ahmad Zahri

Inda Ahmad Zahri author tips“If I had known how invaluable rejections were in this gig, I would’ve spent less time down in the dumps every time one came my way.

A kind of alchemy happens when you flip that ‘No’ – embrace it, own it, use it. It leads to better writing, better ideas, better stories, and eventually, a rightful home.”

Inda Ahmad Zahri is the author of five picture books – two published and three on the way.

Her latest release is Night Lights (ill. Lesley McGee). Find out more about Inda here.

 

 

 

 

 
Mark Smith

Mark Smith children's author tips“The thing I wish I had known before I was published was that I would actually be running a small business – with me at the centre of it – once my book came out.

I had naively thought once the book was released, I’d be free to move on and get stuck into my next project. In reality, the most time-consuming (but also enjoyable and rewarding) part of being an author is just beginning in the run up to publication day.

You get to meet your readers, booksellers and interviewers and share the project you’ve been working on for so long. But, as a consequence, your writing takes a back seat.

You have a window of about six weeks when the publicity and marketing teams will be working overtime to to get your book some traction in the market, but after that, it’s largely up to you. And, of course, that next project is still waiting.”

Mark Smith is the author of four YA novels. His latest release is If Not Us. Find out more about Mark here.

 

 

 

Allison Rushby

ALLISON Rushby children's author tips“I wish I’d been more attuned to listening to my writer gut before making changes to my work. There’s a lot of personal opinion in publishing and I think at the beginning of my career I was too ready to change my work to take in every little comment I received from an agent/publisher/editor/other writer about my writing.

Of course, when you hear the same thing over and over again from different sources (for example, your protagonist is too whiney, the end of your novel too rushed etc.), it’s well worth listening to what people are telling you and make changes accordingly. However, it’s also good to know that sometimes one person’s opinion is just that – one person’s opinion.

I had a novel out on submission a while ago where the feedback was a great example of this. I had one editor say they loved the voice, while another didn’t love the voice. Another editor thought the pacing of my mystery was too slow, another thought it was “solid”. One editor loved the start, another thought I’d started in the wrong place.

It’s very easy to run off and start changing your manuscript, but sometimes you find you end up not changing it for the better.

Allison Rushby has written 30+ books for children, young adults and adults. Her latest release is When This Bell Rings, a middle-grade novel. Find out more about Allison here.

 

 

 

Oliver Phommavanh

Oliver Phommavanh children's author tips‘Value your work. Don’t do free stuff all the time, hoping that it’ll pay off someday.

When you put a price on your work, you’re letting the world know that you’re serious about what you do.’

Oliver Phommavanh is the author of ten books for children. His latest release is Brain Freeze.

Find out more about Oliver here.

 

 

 

 

Jacqueline Harvey

Jacqueline Harvey children's author tips“The one thing I wish I’d known when I started was that you really have to manage your expectations. One book (most likely) won’t make a career (unless your initials are JKR). You will have to work consistently hard over a long period of time to ‘make it’ as a children’s author and even then there are no guarantees.

Heed advice from publishers and editors – but make sure that you write the stories that make your heart sing.”

Jacqueline Harvey is the author of 48 books for children. Her latest release is middle-grade novel Kensy and Max: High Voltage, with a picture book, That Cat, coming in 2022.

Find out more about Jacqueline here.

 

 

 

 

 

Lesley Gibbes

Lesley Gibbes children's author tips“When I first started writing I was 40 with a new born baby and an 18 month old. I knew nothing about the industry so some of my concerns were really grassroots. My main concerns were ‘am I too old?’ and ‘if I can’t illustrate can I be a picture book author?’.

I’m so glad I reached out to the writing community and found out.

So I would tell my newbie self ‘no, you’re not too old, all you need is a great manuscripts and no, you don’t need to be an illustrator to write picture books the publishing house will find one for you’.

Another thing I wish I had known sooner was how absolutely fabulously lovely all the authors, illustrators, agents, editors and publishers are. It’s a wonderfully supportive community of people who genuinely want to see you succeed and celebrate your achievements. Why did I wait so long?”

Lesley Gibbes is the author of 14 books for children, including picture books and junior fiction. Her latest release is Dinosaur Dads (ill. Marjorie Crosby-Fairall), with a new paperback edition of Searching For Cicadas out in January 2022. Find out more about Lesley here.

 

 

 

Kate Foster

Kate Foster children's author tips“A thing I wish I’d known before starting my writing career is that the days I don’t write any words (or the words I do write are truly terrible!) are equally as important as the days I produce thousands of words.

I always knew thinking days were essential, but as I develop as a writer I realise it’s nearly always these days when I emerge from the forest with clearer visions, plot points fixed, fresh ideas to try out, and with less pressure to achieve perfection.

People say write every day, but that doesn’t work for me.”

Kate Foster is the author of five books for children (one out now, four on the way). Her latest release, Paws, was published in April 2021, with a new novel, The Bravest Word, coming in May 2022.

Find out more about Kate here.

 

 

 

 

Tim Harris

Tim Harris children's author tips“The one thing I wish I knew is that it’s okay to be yourself. During the drafting of many of my first short stories, I remember questioning whether the writing was ‘Paul Jennings’ enough.

It took a surprisingly long time to understand the importance of finding a unique writing voice.”

Tim Harris is the author of 12 novels for children. His next release is Mr Bambuckle’s Remarkables Join Forces (out on 1 March 2022).

Find out more about Tim here.

 

 

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A L Tait The Fire StarAre you new here? Welcome to my blog! I’m Allison Tait, aka A.L. Tait, and I’m the author of two epic middle-grade adventure series, The Mapmaker Chronicles and The Ateban Cipher, and a new ‘almost history’ detective series called the Maven & Reeve Mysteries (you’ll find book #1 THE FIRE STAR here).

 You can find out more about me here, and more about my books here.

If you want more insider secrets on being a children’s author, don’t miss my new one-hour course, created with Sue Whiting. Called ‘7 Things You Must Know To Be A Children’s Author’ it’s your short-cut to career success. Find out more here

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