by Allison Tait | Oct 8, 2024 | Industry Insider, Writing
It’s been a year of beginnings and endings for me.
I’ve started and completed one full middle-grade novel, picked up one I started last year and completed it, and started and put down another that I hope to pick up again soon and complete early next year.
For me, the key is to always be writing something. Projects swing in and out of focus, depending on relevance (and publishers, let’s face it), but there’s always something bubbling away in the background.
I was talking to a dear friend about the last week, as I completed my latest first draft (aka Project B).
“But now you’ll have to start again with something new,” she said.
“I’ll just pick up Project C,” I replied. “I’m looking forward to stepping back into that world.”
“Congratulations on cheating the blank page,” she said, with a laugh.
It’s true. If you’re always writing, with multiple projects at different stages, you somehow manage to skip that moment when the previous project is complete and there’s just the blank page and the blinking cursor awaiting your next move.
At least, that’s what I’m telling myself. It’s been a while since I visited Project C. There’s every chance I allowed Project B to take up the focus for good reason. Who knows what awaits me when I return to the page?
If it all gets too hard, I can hear Project D singing its siren song…
Are you new here? Welcome to my blog! I’m Allison Tait and you can find out more about me here and more about my online writing courses here.
If you’d like to know more about my writing process (and how I can help with yours), join Write With Allison Tait, my online writing community offering Inspiration, Motivation, Information and Connection, here.
by Allison Tait | Aug 9, 2024 | Blog, Writing, Writing for kids
With National Science Week starting on the 10th of August, it seemed a pertinent moment to consider the art of science and nature writing – and it is an art. Taking the study of, and research for, any aspect of science and drilling down into its essence to present it in a factual, articulate and, perhaps most importantly, engaging way for readers is no mean feat.
And it’s even more of a feat to be able to teach young writers how to do it!
With that in mind, I invited Dr Sam Lloyd over to share some insider insights into just how to nail the art of science and nature writing.
Dr Sam Lloyd is an award-winning Principal Scientist (fire ecologist) for Healthy Land and Water (the official Natural Resource Management body for South East Qld), a dance teacher with Achieve Performing Arts Studio and a writer.
Her first book, Alight: A story of fire and nature, published in 2023 by CSIRO Publishing and illustrated by Samantha Metcalfe, is a children’s non-fiction narrative that shares the story of Australian plants and animals during a planned fire and gently explores the importance of healthy fire to the Australian bush.
Sam was kind enough to bring along not only her top tips for young science and nature writers, but her very best advice for adults, at home and at school, who are nurturing those young writers.
Let’s start with the grown-ups.
Supporting young writers to nail science and nature writing
By Dr Sam Lloyd
Often, we think of science as something that happens in a laboratory and nature as something that we see when we go bushwalking, or in a documentary – but the truth is that both science and nature are interwoven all around us and essential to every part of our lives.
In particular, ecological science, which is the study of how living things (including people and microorganisms) interact with each other and the natural environment, including plants, animals and fungi, is an example of a natural science that is both accessible and readily observable.
For instance, we might witness insects and birds pollinating flowers or skinks basking in the sun in our backyard.
Science and nature picture books and stories have always held a special place in the hearts of children and society. However, appreciation and recognition for the broad and beneficial outcomes of science and nature-based children’s literature has grown rapidly over the past decade.
For example, there has been increasing demand and interest in ecological and environmental books – no longer are these titles confined to the classroom or school library!
Beautiful, engaging and informative books are being published for children and their grown-ups to enjoy in their homes and outside of formal learning environments.
These books include various forms of non-fiction (e.g. traditional, narrative, browsable and expository) and realistic fiction. Australian publishers are increasingly active in this space, showcasing the unique and fascinating Australian environment, science and technology knowledge and stories on the national and international literary stage.
Arming young writers for science-writing success
Many of us work and/or live with children and young people who enjoy writing and creating non-fiction science and nature stories for fun and enjoyment. Of course, there are also curriculum requirements that mean children need to be armed with the skills and confidence to write and communicate about science and nature in difference formats and for difference audiences.
However, this can be difficult to facilitate as we may not be as familiar with the different forms of non-fiction writing and it does not generally receive the same attention that creative writing does.
Add to this a science topic that is unfamiliar and it can be a challenge to support your young person/student in the way you might want to, if you don’t feel confident in the style yourself.
However, when we take a closer look, non-fiction writing is what most of us experience every day. It can be simple in its format, accessible in design and engaging in content.
Non-fiction writing comes in different forms
When we write a fictional story, we have the freedom to create characters and plotlines that may never be possible in the real world. This is one of the reasons fiction is so popular, it makes the impossible possible and breathes imagination into new worlds.
When we are writing about science and nature, non-fiction offers us endless opportunities to observe and translate information from the real world into a format that children will enjoy and learn from.
The non-fiction format includes traditional explanatory non-fiction books, and some of my favourites include ‘Wonderful Wasps‘ by Katrina Germein, illustrated by: Suzanne Houghton, ‘Bonkers about Beetles‘ by Owen Davey, and ‘A Hollow Is A Home‘, a short reference book by Abbie Mitchell and Astred Hicks.
There are also beautifully illustrated and designed books that reply heavily on visual images to convey messages (i.e. browsable non-fiction) and I think Sami Bally’s Illustrated Encyclopaedia series is a brilliant example of this.
But non-fiction can also take the form of a narrative, where you can tell a story, but it must be something that could otherwise occur in the real world.
Narrative non-fiction is, in a way, the perfect compromise of both writing worlds and especially lends itself to science and nature stories. You have the creative aspect of character development and a plotline, whilst ensuring the story is set in, and based on, real world environments, characters and information.
It provides an opportunity to share science and nature information in a way that is more engaging and interesting than traditional forms of writing (like a text book) or more modern information sources that may not always be adequately referenced (like some websites).
Aside from my own ‘Alight: A story of fire and nature‘, examples include ‘The Beehive‘ by Megan Daley and Max Hamilton, ‘The Echidna Near My Place‘ by Sue Whiting and Cate James, and ‘Iceberg‘ by Claire Saxby and Jess Racklyeft (all picture books), as well as the Aussie STEM Stars series (middle-grade).
One of the best ways to help young writers improve their science/nature/non-fiction writing is to expose them to wide array of the different types of books on offer in this area. Choose a subject they’re interested in and then look for different types of factual texts that cover that topic.
Then share the following tips with them.
Top Science and Nature Writing Tips for Young Writers
By Dr Sam Lloyd
• Choose a subject that you’re passionate about – or even just something that sparks your curiosity. It’s much easier and more enjoyable to write about something when you’re interested in it.
• Be clear about your idea and your audience. If you’re writing for a school project, follow the brief as best you can. If you’re writing for a competition, think about what the judges are looking for. It’s hard to cover a whole topic in a short project – frogs or birds, for instance – so choose a specific angle, perhaps one type of frog or a particular bird.
• What are the two or three most important messages you want your reader to understand? Decide what these are and make sure you include them clearly (and more than once) throughout your work. This will give your reader the best chance of remembering.
• Illustrations are important: illustrations, photos, diagrams are all examples of ways you can convey a message or information with far fewer (or no) words. This might include a graph, infographic or diagram with scientific results, or an illustration to accompany text.
• Write and review and then review again: revision is all part pf the process, it does not mean you are doing something wrong, it is in fact the opposite. If you are feeling frustrated, it can help to leave your writing task for a couple of days and come back to it after a break.
• Ask an expert: if you don’t know something and it is not something you can find using other reliable sources (including books and online), it is worth asking someone who can help. Ask a grown-up to help you find an expert to contact.
• Keep a record: If you find a useful piece of information it is super important to keep a record of where you got the information. I recommend creating a spreadsheet where you can record the information you need. This includes the information source (e.g. website, book etc), author, person you spoke to and date.
• Celebrate your achievement! Writing can be tough and brilliant at the same time. When you have finished your writing task, be sure to take a moment to do something enjoyable to celebrate your efforts (I recommend cake!).
Dr Sam Lloyd is a scientist, fire ecologist and writer with a passion for the Australian bush and children’s literature.
Find out more about her and ‘Alight: A story of fire and nature’ here.
Are you new here? Welcome to my blog! I’m Allison Tait, aka A.L. Tait, and I’m the author of middle-grade series, The Mapmaker Chronicles, The Ateban Cipher, and the Maven & Reeve Mysteries. My latest novel THE FIRST SUMMER OF CALLIE McGEE is out now. You can find out more about me here, and more about my books here.
If you’re looking for book recommendations for young readers, join the Your Kid’s Next Read Facebook community, tune in to the Your Kid’s Next Read podcast and sign up for the Your Kid’s Next Read newsletter.
by Allison Tait | Dec 20, 2023 | Advice for Writers, The Business of Writing, Writing
It’s that time of year when our thoughts turn to words like GOALS, CHANGE and DREAMS.
If your dream is to write – ‘write more’, ‘write that novel’, ‘write something’, ‘get serious about writing’ or words to that effect – I’ve got the kickstart you need.
Join my Write With Allison Tait group now to participate in the #Fresh5000 31-day writing and creativity challenge throughout January.
Every day there’ll be a new prompt to kickstart your writing word count for the year or a challenge to expand your creative thinking.
By the end of January, if you stick with me, you’ll have added at least 5000 words to your work in progress, and have filled your creative well in new ways, too!
Join Write With Allison Tait here.
What is Write With Allison Tait?
Write With Allison Tait is an online writing group, facilitated through a Facebook group, and featuring two live Zooms each month:
• The Access Al Areas, which is an ‘Ask Me Anything’, offering an opportunity to talk about your writing progress with me and other group members, and ask any burning questions you may have about writing, editing, publishing, book publicity, podcasting, building an author platform and anything else you can think of.
• The Industry Insider, which is an intimate Q&A with an industry expert. Previous guests have included
– authors, such as Dervla McTiernan, Kate Forsyth, Natasha Lester, Graeme Simsion, Anna Spargo Ryan, Rachael Johns, Ashleigh Barton, Meredith Jaffe, Pamela Cook, Angela Slatter
– publishers, editors and agents, including Laura Sieveking (Scholastic Australia), Sophie Hamley (Hachette), Nicola O’Shea (freelance editor), Annabel Barker (literary agent),
– industry professionals, such as Michelle Barraclough (author websites), Rah Gardiner (author’s assistant and tech), Anna Featherstone (indie publishing expert)
All Zoom sessions are recorded and remain accessible for members of the group to watch at any time.
The program for 2024 is shaping up with a bestselling children’s author, award-winning screenwriter, literary agent, publisher, and more in the mix.
On top of our Zooms, I also run at least two Creative Challenges each year to help you make progress with your manuscript. In 2023, we did the #Fresh5000 (January), the #Spark7000 (July) and #HaveAGoMo (November).
Who is the group for?
The group is for writers of all kinds, carrying on my philosophy from my years with the So You Want To Be A Writer podcast that we learn something from every writer we hear from, and I bring my own broad-ranging expertise (children’s author, non-fiction author, freelance writer, podcaster and interviewer) to the table.
In 2023, members of the group have been published in picture books, middle-grade and YA fiction, as well as historical fiction, commercial women’s fiction, romance, and more.
Whether you’re writing your first novel and trying to get to The End, you’ve written a manuscript and you’re wondering what to do next, you’ve published a book (indie or traditional) and you want to know how to spread the word about it, you’re trying to write novel #2, you want to know more about what publishers want or how the industry works, or you need the encouragement and motivation of being part of a group of like-minded people, this group is for you.
If you’ve ever wanted to pick my brains or sit down for a coffee with me, it’s also for you.
Membership is $29.95 a month.
Find out all the details and join here.
Testimonials
Checking in with Write with Allison Tait is an essential part of my writing routine.
“I love being a member of Al’s online writing group (Write with Allison Tait).
“In addition to chatting with like minded people who encourage and lift each other up, Al is a constant and vibrant source of insider writing and publishing tips. Al’s abundance of knowledge and enthusiasm for the writing craft means that she can answer any queries thrown her way – and if she doesn’t know, will make it her priority to find out.
“I love the engaging zoom meetings where we discuss individual triumphs and difficulties; as well as the informative sessions with specialist guests including well known authors, publishers, editors and more. Checking in with Write with Allison Tait is an essential part of my writing routine.” – Lisa Heidke
A generous mentor who has a lot to offer
“I have been a member of Write with Allison Tait online writing group since May 2022. WWAT is an inclusive and encouraging writing community offering a range of benefits to members. This includes engagement with industry experts from whom I have gained invaluable insights into the writing process.
“Accountability is another key feature. Regular check-ins, writing challenges, and goal-setting exercises have motivated me and provided a sense of camaraderie.
“Allison is a generous mentor who has a lot to offer given her extensive experience as a author, writing teacher and blogger.” – Pauline Wilson
Join us!
Are you new here? Welcome to my blog! I’m Allison Tait and you can find out more about me here and more about my online writing courses here.
For full details about Write With Allison Tait, my online writing community offering Inspiration, Motivation, Information and Connection, go here.
by Allison Tait | Oct 27, 2023 | Advice for Writers, Books, Writing
Writing craft books are a mainstay of every author’s bookshelf – we’re always trying to learn more and there’s always more to be learned.
But there are SO many writing craft books out there, it can be difficult to know which ones are worth it.
Recently, I had the opportunity to have a snoop around the bookshelves of bestselling author Rachael Johns, who, along with her insider tips for writing commercial fiction, was kind enough to share with me her favourite writing craft books.
These are the books Rachael Johns has drawn upon – and continues to draw upon – in her journey towards becoming one of Australia’s most successful commercial and romantic fiction authors, and there are many that are beyond ‘the usual suspects, so I’ve decided to share them below.
Here for your collecting pleasure are the writing craft books that will always have a place on Rachael Johns’s bookshelf.
Rachael Johns recommends these six writing craft books
Rachael Johns is the bestselling, ABIA-winning author of The Patterson Girls and many other romance and women’s fiction books, including her recent bestseller, Something to Talk About.
Jilted (her first rural romance) won Favourite Australian Contemporary Romance in 2012, and The Patterson Girls won the 2016 Romance Writers of Australia RUBY Award and also the 2015 Australian Book Industry Award for General Fiction. She continually places in Booktopia’s Top 50 Aussie Authors poll. Her latest novel is Talk To The Heart.
Are you new here? Welcome to my blog! I’m Allison Tait and you can find out more about me here and more about my online writing courses here.
I’m available for one-on-one Creative Career Coaching. If you’d like to book a spot to pick my brains, find out more here.
by Allison Tait | Sep 28, 2023 | Advice for Writers, Writing, Writing for kids, Your Kid's Next Read
Narrative non-fiction for young readers is having a moment in the spotlight, combining facts, illustrations and storytelling in an irresistible short-form package.
But, as anyone who’s ever tried writing narrative non-fiction will tell you, getting the balance right between the information and the story is not always easy.
With her debut picture book Diprotodon: A Megafauna Journey out now, Bronwyn Saunders has popped in to share her experience with distilling a dinosaur-sized pile of research into a compelling story. The picture book is illustrated by Andrew Plant and published by CSIRO Publishing.
A children’s author and passionate citizen scientist who delights in sharing facts about Australia’s natural history with readers, Bronwyn has three top tips to help you if you’re thinking of following in her footsteps.
Bronwyn Saunders’ three tips for writing narrative non-fiction for kids
Narrative non-fiction is weaving a story around factual information for the purpose of being informative and entertaining. The choice of producing non-fiction is a promise to the reader that the facts you are sharing are correct.
Writing non-fiction is addictive because the truth can be more outrageous and unbelievable than fiction. Diprotodon: A Megafauna Journey is a great example of outrageous facts.
Who knew Australia was once home to a marsupial that weighed up to 2,700 kilograms?
This is one of the facts about diprotodon that is thoroughly ridiculous and endearing at the same time.
I love astounding children with these unique facts, and there’s no doubt the facts compel you to share widely – but crafting a story with those facts is more than just stating (or listing) what you know.
Non-fiction ideas can creep up on you
My non-fiction topic found me whilst I was on holiday in Naracoorte, sparked by a statue, several facts from the tour guide and a tall tale.
The tall tale was exposed quickly, but by then I didn’t care that diprotodon wasn’t carnivorous, as the animal had already made a home in my heart.
I read everything I could find, which wasn’t much.
Then I dug a little deeper, reading scientific articles and research. Due to my research, I can verify that Latin is not such a dead language. The more I learnt, the more I had to know. I can proudly say I have read the majority of material ever written about diprotodon.
Managing your research
You don’t need archival qualifications to research a non-fiction topic but you do need an information management system.
No, you don’t need to buy it from Amazon or download an app onto your phone. It can be simple as recording and cataloguing source information, in a document, in a table or on a piece of paper.
Keeping the reference material in a single place is key. Collating all the references so they are retrievable when required is the aim. The style of reference that you use to keep the reference is not important, but consistency will help.
Remember, you are not composing a paper for university and do not need to use citations but your references do need to be accurate.
Correct referencing allows the writer to locate a source to double-check the source, interpretation or intended purpose with ease.
Correct referencing also makes it easier for the editor to review the evidence that is being relied upon so they can reassure the publisher of the accuracy of the text.
What details do you need?
The details depend on the type of source.
This could mean:
•a web address;
•author, title and page reference;
•or author, article title, journal name, volume and year of publication.
Try to capture every necessary detail that will enable you to easily find the source again, for example chapter names, article numbers, edition, volume and year of publication.
When I find a great source,I have been known to photocopy the page with all origin details, just to be certain, as well as allow verification that the source is what I want to rely on. It then goes into a hard copy folder between its own dividers, which are titled with how I intend to refer to it.
When I compile notes from the source, I use the basic reference data at the start of the notes and add it to the folder after the source material.
Diprotodon: A Megafauna Journey found a publisher five years after writing it. Experiencing the publishing process has helped me appreciate the need to give myself better clues of where within articles that I sourced information.
Your editor will appreciate your accuracy, too.
But what about the story?
Narrative non-fiction is not just listing facts. The facts must be used to tell a interesting story based on factual information.
The author has to take the black and white and fill the page with seamless colour.
Depending on the timeframe and the topic, knowing about the weather, the natural environment, buildings, technology, vocabulary, relevant culture and fashions are vital to capture the spirit of the story. In an historical movie or TV show there’s nothing worse than seeing an out-of-
place timepiece on the wrist of the lead actor, or for a car enthusiast seeing a classic car that was produced after the year when the production was set – and it’s the same for books.
For my story, it was important to listen to my palaeontologist advisor when he questioned my earlier use of insects to show Diprotodon toward
food. ‘Why would such a large animal pay any attention to what an insect is doing?’, he asked.
I had to be flexible with my manuscript and review what animal was available to use to guide Diprotodon to safety, which meant a return to research and drafting for the credibility of the story.
My top three tips for writing narrative non-fiction for children
1. Love your topic, you are going to immerse yourself in it.
2. Be methodical with your research, you may have to refer to it after many years have passed
or provide it to another person.
3. The facts need to be woven into a compelling story, the facts themselves are insufficient.
You can find out more about Bronwyn Saunders here, and watch the video below to find out more about Diprotodon: A Megafauna Journey – or visit CSIRO Publishing here to purchase.
Diprotodon Trailer from CSIRO Publishing on Vimeo.
Are you new here? Welcome to my blog! I’m Allison Tait, aka A.L. Tait, and I’m the author of middle-grade series, The Mapmaker Chronicles, The Ateban Cipher, and the Maven & Reeve Mysteries. My latest novel THE FIRST SUMMER OF CALLIE McGEE is out now. You can find out more about me here, and more about my books here.
If you’re looking for book recommendations for young readers, join the Your Kid’s Next Read Facebook community, and tune in to the Your Kid’s Next Read podcast!